A Quena woman was shown in Europe as a circus

freak during the last century. Saartjie Baartmans

early life is unknown except that she came from a

clan of Quena people, better known in South Africa

by the derogatory term Hottentot, in the Eastern

Cape. Born in the late 18th century, probably in the

1780s, Baartman migrated to the Cape Flats,

where the records show she was living in a small

shack in 1810. In that year she met a ships doctor,

William Dunlop, who persuaded her to travel to

England with promises that she would make a

fortune by exhibiting her body to Europeans. It

appears that two settlers called Hendrik and Johan

Cezar, probably themselves descendants of a

mixed-race marriage between a Quena woman and

a Dutchman, were instrumental in setting up the

deal. Baartman sailed with Dunlop to England,

where she was put on display in a building in

Piccadilly, exciting crowds of working-class

Londoners who viewed her with a mixture of morbid

curiosity and malice. Like all Quena woman, she

had a protruding backside and large genital organs

-- billed by the shows promoters as resembling

the skin that hangs from a turkeys throat.

Contemporary descriptions of her shows at 225

Piccadilly, Bartholomew Fair and Haymarket in

London say Baartman was made to parade naked

along a stage two feet high, along which she was

led by her keeper and exhibited like a wild beast,

being obliged to walk, stand or sit as he ordered.

The exhibitions took place at a time when the anti-

slavery debate was raging in England and

Baartmans plight attracted the attention of a young

Jamaican, Robert Wedderburn, who founded the

African Association to campaign against racism in

England. Under pressure from this group, the

attorney general asked the government to put an

end to the circus, saying Baartman was not a free

participant. A London court, however, found that

Baartman had entered into a contract with Dunlop,

although historian Percival Kirby, who has

discovered records of the womans

Wakanda News Details

When young Mary Lou played the violence stopped

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