In 1934, with the assistance of Speranzeva, Dunham established the Chicago Negro School of Ballet and a company, a Negro Dance Group, which advanced into the Katherine Dunham Dance Company.
She did her anthropological field work in the Caribbean as a graduate student in 1935, receiving a Rosenwald Fellowship to study traditional dances in Jamaica, Martinique, Trinidad and Haiti, where she became close to Haitians and took up the Vaudun religion.
Dunham took her Negro Dance Group to New York in 1937 but did not attract wide attention there until 1939, when she choreographed “Pins and Needles,” a satirical revue produced by the International Ladies Garment Workers Union.
Beyond her theatrical career, Dunham did pioneering work in the field of dance anthropology and founded a school that embodied multi-cultural principles decades before the term was used in the field of education.
Her books include “Journey to Accompong” (1946), “A Touch of Innocence: Memoirs of Childhood” (1959), “Island Possessed” (1969) and “Dances of Haiti” (1984)
Dunham received some of the most prestigious awards in the arts, including the Presidential Medal of the Arts, the Albert Schweitzer Prize (presented at Carnegie Hall), Kennedy Center Honors and decorations from the French and Haitian governments.
