Francis Johnson, musician, composer, and bandmaster, was born in 1792 in Martinique in the West Indies and emigrated to Philadelphia, Pennsylvania in 1809 at the age of 17. By that point he had already mastered the keyed bugle and the violin. By his early 20s he was building a reputation as a bandleader in Philadelphia and southeastern Pennsylvania.

Johnson gained greater popularity after music publisher George Willig published his Collection of New Cotillions in 1817. This was the first instance of a black band leader having his musical compositions published. By 1818, 26-year-old Johnson had become a leading dance band conductor for Philadelphia’s high society. During the 1820s, Johnsons band performed at the city’s most popular dance venues at schools, private parties, and balls. Prominent military regiments like the Washington Guards Company Three Band and the State and the First Troop Philadelphia City Cavalry also hired Johnson’s ensemble. He personalized his performances by experimenting with different instrumentations, strings, and winds.

During his prolific career, Johnson composed over 200 musical arrangements in various styles including cotillions, operatic airs, ballads, quadrilles, patriotic marches, quicksteps, and other forms of ballroom music.

Besides serving the musical taste of the white public, Johnson also performed spirituals at African American churches in Philadelphia, Boston (Massachusetts), and New York. One of his most memorable musical performances occurred in 1841 when he collaborated with Morris Brown, Jr., one of the leading black ministers of the era, to perform Haydn’s Creation at the First African Presbyterian Church in Philadelphia. Johnsons band also shared the spotlight with other black bands in Philadelphia including those led by James Hemmenway and Isaac Hazzard. Nonetheless his was the most popular black band of the era.

Besides having the distinction of being the first black American composer to have his arrangements published as sheet music, Johnson was also

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