Lucien-Leon Guillaume Lambert was a pianist, composer, arranger, and music teacher. Born in 1858 in Vernouillet, France, a then-small village near Paris, he was the son of Charles Lucien Lambert, an American, and an unknown French mother. Guillaume Lambert was one of several renowned musicians in his family: his father Charles Lucien Lambert, his paternal uncle Sidney Lambert, and his paternal grandfather Charles-Richard Lambert, were all esteemed musicians, famous in the United States and Europe. Lucien-Leon Guillaume Lambert is often designated as Lambert fils or Lambert Jr. and his father as Lambert père or Lambert Sr. Lucien-Leon Guillaume Lambert and some other members of his family are part of what has been termed a “Creole Romantic” musical dynasty composed of musicians with ties to New Orleans (Louisiana), France, Portugal, the Antilles Islands in the West Indies, and Latin America.

Charles Lucien Lambert moved his family, including young Lucien-Leon Guillaume Lambert, to Brazil in the 1860s.  Young Lambert returned to Paris in the mid-1870s to study music. Having shown early promise in music, he was taught by his father for much of his youth and later studied at the Conservatoire de Paris. Lambert was greatly influenced by musicians Théodore Dubois and Jules Massenet. One of his earliest triumphs was winning, along with Georges Matthias, the Rossini Concours Prize for the composition Prométhée enchaîné (Prometheus Bound). Lambert and Matthias each wrote upon the same theme of Prometheus, but, as critics of the time noted, the styles of the two winners were greatly dissimilar. Written when he was still undertaking musical studies, Lambert’s Prométhée enchaîné demonstrated in its earliest sections a Wagnerian mode, and was said to have been characterized by grandeur, melodic sentiment and charm. The prize was awarded in 1882 and the composition was performed April 19, 1885 by the Société des Concerts du Conservatoire in Paris.

Lambert’s compositions employ a broad variety of musical forms and