By Synnika Alek-Chizoba Lofton
After reloading my 6-disc CD changer, I made sure to include LL Cool J’s latest album Phenomenon. I remember it was another breezy
afternoon, in my quiet neighborhood, in San Diego, California.
The year was 1997, and I had just graduated from high school. At this point in time, music was still centered on crafting an album, which was supposed to represent the best songs of a specific artist.
Continue reading “Reflections on DMX: A Hip Hop Icon” at The New Journal and Guide.
