BAVINA SOOKDEO
The mesmerising music of the pan resonate like those of no other instrument. In Trinidad and Tobago its unique sound evokes a sense of unity and cultural pride that is unparalleled. As this captivating art form continues to thrive, hopes for its expansion soar high, both locally and across the world.
Innovative applications of the pan have extended beyond the confines of the National Panorama competition.
Playwright and director Victor Edwards has masterfully woven pan melodies into theatrical productions such as Eric: The Musical, and A Brighter Sun, based on Sam Selvon's novel. Edwards said, “Our theatre is local and West Indian that moves between sensibilities...so the East Indian plays would have that strain, and the others, because of their context, would have the pan and other known instruments.”
Considering the international reach of pan, Edwards said, “Pan is all over the world...I think the UN’s recognition of World Steelpan Day is great and it should act as a catalyst for worldwide recognition. Hopefully we at home will move with alacrity to preserve its origins...things have a way of getting lost.”
Surujdeo Mangaroo, executive producer of NeeLeeJi Entertainment Ltd, highlights the inclusion of pan in its programming. Notably, NeeLeeJi has incorporated the national instrument into various events, including the Independence Local Classical Song Competition. Mangaroo says this integration will continue, including in this year’s Hindi film song competition, Sangeet Pradarshan, co-produced by the Hindi Foundation of T&T Inc and NeeLeeJi.
As industry luminaries and passionate supporters weigh in on the international expansion of the pan and its future prospects, their collective voices paint a picture of hope and enthusiasm for this resounding musical treasure. Here is what they shared:
Jennifer Lee
Jennifer Lee is a prominent figure in the international pan community whose journey has been a symphony of advocacy, promotion, and global unity.
Lee's affair with pan began during her school days, with her first encounter being guided by the expert hands of Ray Holman, who would later become a lifelong friend.
"I truly wanted to learn to play this instrument," Lee recalls.
The enchanting vibes of pan took root in her soul and have remained an unwavering presence ever since.
The European Steelband Association, known as Steelpan European, stands as a testament to Lee's dedication to uniting the global pan community.
Born out of the need to foster unity and ensure that players learn the history of the instrument, Steelpan European has made remarkable strides. In 2000, Europe found representation in the International Steelpan Festival for the first time, a historic moment that cemented the movement's foundation.
The roots of Steelpan European can be traced back to 1998, when the first member country, France, played host to the inception of the movement at the TT Embassy in Brussels.
France's deep affection for the instrument had taken shape even before this, with Trin
