PERFORMERS from north Trinidad won the most categories at the TT Music Festival championships on March 14 at Queen's Hall, Port of Spain, in a day of gospel vocals, instrumental solos and duets, and instrumental ensembles.
However, south Trinidad offered stunning performances by St Joseph's Convent (SJC), San Fernando Blue Steel orchestra and gospel vocalist Gianna Griffith, while Tobago won two categories. North Trinidad performers won mainly as piano or string solos. North Trinidad won nine categories, South Trinidad two and Tobago four.
The final day of championships – ahead of the grand finale concert on March 16 – began with three classes of gospel.
Tobago's Jayda George won the May Johnstone Trophy for under-15 religious solo, singing Oceans (Where Feet May Fail) by Crocker, Houston and Ligthelm, edging out South's Hadassah Stephens (singing Open My Heart) and north Trinidad's Sapphire Wong Chong-Achee (singing How Great Thou Art).
George sang very slow, deep, intense, soulful and moving. Beautifully backed by soothing piano accompaniment, George portrayed the intimacy and humility of a talk with her Creator.
South Trinidad's Gianna Griffith won the Norah Grant Trophy for the 16-19 religious solos with For Your Glory by Mia Santai Booker. Griffith was outstanding, amid strong performances by Tobago's Emiel Joseph (singing God and God Alone by Phil Mc Hugh) and north Trinidad's Anya-Lee Bidassie's sophisticated soprano notes in In The Name of the Lord (by Sandi Patty and others). Griffith started soft but grew in her projection amid near-perfect statecraft. Clad in all-white, at one point with arms outstretched, she evokes imagery of the crucifixion.
"For Your glory, I will do anything, Just to see You, To behold You as my King," she sang, holding the last note.
Fists clasped to bosom, eyes shut, she powerfully implored, "I want to be where You are. I've got to be where You are!"
Adjudicator Dr Richard Tang Yuk Joseph's praised Joseph's accompanist for playing piano with passion.
Of Joseph's well-formed vowels, he praised, "For young men, this is important because it helps you navigate from your middle register to your upper register quite easily."
He praised Bidassie's "very clear bright voice" and "easy technique".
"You were just being you. If you are being sincere, it translates to the audience."
Tang Yuk said Griffith had heeded judges' previous remarks to greatly grow in the past fortnight.
"It was a strong performance. You have a beautiful voice with a very wide range.
"We were enjoying it going along, and then at the end you went way up there and I said, 'Wow!'. That was great."
Griffith told Newsday her final festival performance was nerve-racking but welcomed the judges' suggestions.
She said she really loves to sing her chosen song.
"It really applied to my life as well. I listened to the song and it was like, 'Yeah, this is exactly how I feel at this point in time and I will give God glory.' He has done a lot for me in my life.
"Everything, I just gave it all to
