Nuruddin Farah , (born 1945, Baidoa, Italian Somaliland [now in Somalia]), Somali writer whose rich imagination and refreshing and often fortuitous use of his adopted language made him the most significant Somali writer in any European language.
The son of a merchant and the well-known Somali poet Aleeli Faduma, Farah was educated in Ethiopia and at the colonial-era Institutio Magistrale in Mogadishu. Although his primary languages were Somali, Amharic, and Arabic, he also learned English and some Italian. His decision to write in English, chiefly a matter of the typewriter available to him, eventually gave him an international audience. After working for the Ministry of Education, he studied literature and philosophy at Panjab University in Chandigarh, India. There he wrote his first full-fledged novel, From a Crooked Rib (1970). It portrayed the determination of one woman to maintain her dignity in a society that believes “God created Woman from a crooked rib; and anyone who trieth to straighten it, breaketh it”; it was the first of Farah’s feminist works.
In his next novel, A Naked Needle (1976), Farah used a slight tale of interracial and cross-cultural love to reveal a lurid picture of postrevolutionary Somali life in the mid-1970s. He next wrote a trilogy—Sweet and Sour Milk (1979), Sardines (1981), and Close Sesame (1983)—about life under a particularly African dictatorship, in which ideological slogans barely disguise an almost surreal society and human ties have been severed by dread and terror.
This unblinking portrayal of life under the dictator Maxamed Siyaad Barre (Muhammad Siad Barre) eventually forced Farah into exile. He taught for a time in Europe, North America, and elsewhere in Africa, writing in 1998: “My novels are about states of exile; about women shivering in the cruel cold in a world ruled by men; about the commoner denied justice; about a torturer tortured by guilt, his own conscience; about a traitor betrayed.” Secrets, the third novel of his second trilogy—which includes the novels