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Mabley, Jackie “Moms” (1894–1975)

Jackie “Moms” Mabley found fame and fortune as a stand-up comedian during the twentieth century. Beginning as a staple on the chitlin’ circuit and late night talk show favorite, she went on to become an internationally known entertainer whose career spanned five decades.

One of twelve children, Mabley was born Loretta Mary Aiken on March 19, 1894 to businessman and volunteer firefighter James Aiken and Mary Smith, a stay-at-home mother in Brevard, North Carolina. When Loretta was eleven, her father was killed in an explosion, and later her mother was killed on Christmas day by a truck. During her adolescence, Loretta was raped; both episodes resulted in pregnancy and the children being given up through adoption.

Mabley relocated to Cleveland, Ohio, at age fourteen and joined the black vaudeville scene as an all-around entertainer. While on this circuit, she met and fell in love with fellow performer Jack Mabley. After the short-lived love affair, she adopted his name. The sobriquet “Moms” came a short time later as other performers noticed her protection and kindness for budding entertainers.

In 1921 Mabley began performing with the married duo, Butterbeans and Susie, which led to her debut at Harlem’s Cotton Club. During the early 1930s, Mabley established herself as a stage performer. She worked with a number of celebrities, including Zora Neale Hurston in Fast and Furious: A Colored Revue in 37 Scenes. In 1933 she costarred in Emperor Jones alongside actor Paul Robeson. By the end of the decade, she became the first female comedian to perform at the Apollo Theater. By the 1950s Mabley earned $10,000 a week at the Apollo, making her one of the most highly paid performers of that era. She would also appear there more than any other entertainer in the history of the theater.

Mabley costarred in the motion pictures, The Big Timers (1945) and Killer Diller (1948), which also featured Butterfly Queen and Nat King Cole. But it was her unparalleled standup routines that gave her staying power. By the early 1960s,

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