Fela Kuti , byname of Olufela Olusegun Oludotun Ransome-Kuti, also called Fela Anikulapo-Kuti (born October 15, 1938, Abeokuta, Nigeria—died August 2, 1997, Lagos), Nigerian musician and activist who launched a modern style of music called Afro-beat, which fused American blues, jazz, and funk with traditional Yoruba music.
Kuti was the son of feminist and labour activist Funmilayo Ransome-Kuti. As a youth he took lessons in piano and percussion before studying (1959) classical music at Trinity College London. While in London, he encountered various musical styles by playing piano in jazz and rock bands. Returning to Nigeria in the mid-1960s, he reconstituted Koola Lobitos, a band with which he had played in London. The Afro-beat sound emerged from that group’s experiments.
Following his 1969 tour of the United States, where he was influenced by the politics of Malcolm X, the Black Panthers, and other militants, Kuti’s music became increasingly politicized. He exhorted social change in such songs as “Zombie,” “Monkey Banana,” “Beasts of No Nation,” and “Upside Down.” Fela (as he was popularly known) and his band, which was known variously as the Nigeria 70, Africa 70, and later the Egypt 80, performed for packed houses at the early-morning concerts that they staged at Fela’s often-raided nightclub in Lagos. The firebrand singer, who gyrated over the keyboard as he sang in English and Yoruba, struck a chord among the unemployed, disadvantaged, and oppressed. His politically charged songs, which decried oppression by Nigeria’s military government, prompted authorities to routinely raid his club, looking for reasons to jail him. Near there he also set up a communal compound, which he proclaimed the independent Kalakuta Republic. As head of the commune, he often provoked controversy and attracted attention by promoting indulgence in sex, polygamy (he married 27 women), and drugs, especially marijuana. A 1977 raid on the complex by Nigerian authorities resulted in his brief incarceration and the death of his mother