Gwendolyn Elizabeth Brooks, born June 7, 1917 in Topeka, Kansas, moved to Chicago, Illinois where she was reared and launched her literary career.  Marrying Henry Blakely in 1939, the couple had two children. 

Brookss formal education consists of an associate degree in literature and arts from Wilson Junior College but she has also received over seventy honorary degrees from several leading universities.  In her early years, Brooks served as the director of publicity for the National Association for the Advancement of Colored People (NAACP) in Chicago.

Individual poems published in the Chicago Defender during her high school years preceded Brookss first collection of poetry, A Street in Bronzeville (1945). This book focused on “community consciousness.”  Brookss Annie Allen was published in 1949 with a focus on “self-realization” and “artistic sensibility” of a young black woman.  That volume made her the first African American to be awarded the Pulitzer Prize in poetry.  The Bean Eater, her third book, was released in 1960. 

Brooks published Selected Poems in 1963, In the Mecca (1968), Riot (1969), Family Pictures (1970), and Beckoning (1975).  During this period, she began to publish her work through small black-run presses such as Broadside in Chicago.  In the Mecca, one of her most important works of that period, describes a rather exquisite apartment building built in 1891 but leveled in 1952 after it had become a run-down tenement building.  This collection, like others in the late 1960s and early 1970s, reflected the rising call for a literature for black people that spoke out against white oppression. 

Brooks continued to write poetry into the 1980s.  Her Primer for Blacks (1980), To Disembark (1981), Black Love (1982), The Near-Johannesburg Boy (1986), Blacks (1987), Gottschalk and the Grand Tarantelle (1988), Winnie (1988), and Children Coming Home (1991), all emerged during this period.

Brooks also wrote one work of long fiction, Maud Martha (1953).  Her nonfiction works included The World of