Geoffrey Rush , in full Geoffrey Roy Rush (born July 6, 1951, Toowoomba, Queensland, Australia), Australian film and theatre actor who deployed his craggy features and sly wit to memorable effect, particularly as villainous or unbalanced characters.
Rush was raised in a suburb of Brisbane, Queensland, Australia. In 1968 he joined a theatre troupe attached to the University of Queensland in Brisbane and enrolled at the university the next year. He was recruited by the Queensland Theatre Company (QTC) in 1971 and debuted in their production of Wrong Side of the Moon. He graduated with a bachelor’s degree in English in 1972, and, after a stint with QTC, enrolled in a directing course in London and a mime school in Paris. Upon returning to Australia in 1977, Rush resumed his relationship with QTC.
Rush made his film debut as a detective in the crime thriller Hoodwink in 1981, but he remained primarily a theatre actor for the next decade. He appeared in productions of A Midsummer Night’s Dream (1982, 1983), Twelfth Night (1984), and King Lear (1988) for Lighthouse (now called the State Theatre Company of South Australia) in Adelaide. In 1988 he toured Victoria state as Jack Worthing in the Melbourne Theatre Company’s production of The Importance of Being Earnest; he reprised the role for a national tour and a further production (1990–91, 1992). Rush was also acclaimed for his performances in Diary of a Madman (1989), an adaptation of a Nikolay Gogol short story staged by the Belvoir Street Theatre, and Oleanna (1993), for the Sydney Theatre Company.
Rush came to the attention of an international audience when he portrayed savant pianist David Helfgott in the film Shine (1996), a role for which he won an Academy Award for best actor. Rush then turned in nuanced interpretations of Inspector Javert in Les Misérables (1998) and spy master Sir Francis Walsingham in Elizabeth (1998); he reprised the latter role in the 2007 sequel. As theatre manager Philip Henslowe in Shakespeare in Love (1998) and as a supervillain